Full Name: Kenneth Charles Williams

Description: Actor, UK

Known For: 26 of the 31 Carry On films

Location: United Kingdom

Date Born: 22 February 1926
Location Born: Islington, London, England

Date Died: 15 April 1988 (aged 62)
Location Died: Camden, London, England

Web Site: Kenneth Williams at the Internet Movie Database

Other Links: See below:


Kenneth Charles Williams (22 February 1926 – 15 April 1988) was an English comic actor and comedian.

He was one of the main ensemble in 26 of the 31 Carry On films, and appeared in many British television shows and radio comedies, including series with Tony Hancock and Kenneth Horne among others.

Kenneth Charles Williams was born on 22 February 1926 in Bingfield Street, King’s Cross, London, the son of Louisa (“Lou” or “Louie”) Morgan and Charles Williams, a barber and strict Methodist from Somers Town, London. The family origins of both his parents was Wales. Kenneth Williams had a half-sister, Alice Patricia “Pat”, born illegitimately before Louie had met Charlie Williams. He was educated at Lyulph Stanley School, later becoming apprenticed as a draughtsman to a mapmaker. In 1944, aged 18, he was called up to the Army. He became a sapper in the Engineers Survey section, doing much the same work that he did as a civilian. When the war ended he was in Singapore, and he opted to transfer to the Combined Service Entertainment Unit, which put on revue shows. While in that unit he met Stanley Baxter, Peter Nichols, and John Schlesinger.


Comic performer

Williams’s professional career began in 1948 in repertory theatre. Failure to become a serious dramatic actor disappointed him, but his potential as a comic performer gave him his break when he was spotted playing the Dauphin in Bernard Shaw’s St Joan in the West End, in 1954 by radio producer Dennis Main Wilson. Main Wilson was casting Hancock’s Half Hour, a radio series starring Tony Hancock. Playing mostly funny voice roles, Williams stayed in the series almost to the end, five years later. His nasal, whiny, camp-cockney inflections (epitomised in his “Stop messing about … !” catchphrase) became popular with listeners. Despite the success and recognition the show brought him, Williams considered theatre, film and television to be superior forms of entertainment. In 1955 he appeared in Orson Welles’s London stage production Moby Dick—Rehearsed.

When Hancock steered the show away from what he considered gimmicks and silly voices, Williams found he had less to do. Tiring of this reduced status, he joined Kenneth Horne in Beyond Our Ken (1958–64), and its sequel, Round the Horne (1965–68). His roles in Round the Horne included Rambling Syd Rumpo, the eccentric folk singer; Dr Chou En Ginsberg, MA (failed), Oriental criminal mastermind; J. Peasemold Gruntfuttock, telephone heavy breather and dirty old man; and Sandy of the camp couple Julian and Sandy (Julian was played by Hugh Paddick). Their double act contained double entendres and Polari, the homosexual argot.

Williams also appeared in West End revues including Share My Lettuce with Maggie Smith, written by Bamber Gascoigne, and Pieces of Eight with Fenella Fielding. The latter included material specially written for him by Peter Cook, then a student at Pembroke College, Cambridge. Cook’s “One Leg Too Few” and “Interesting Facts” were part of the show and became routines in his own performances. Williams’s last revue, in 1960, was One Over The Eight at the Duke of York’s Theatre, with Sheila Hancock. He appeared with Ingrid Bergman in a production of Shaw’s Captain Brassbound’s Conversion at the Cambridge Theatre, in 1971. In 1972, Williams starred opposite Jennie Linden in My Fat Friend at the West End’s Globe Theatre.

Carry On

Williams worked regularly in British film during the 1960s and 70s, mainly in the Carry On series (1958–78) with its double entendre humour; and appearing in the series more than any other actor. The films were commercially successful but Williams and the cast were apparently poorly paid. In his diaries, Williams wrote that he earned more in a St Ivel advert than for any Carry On film. He often privately criticised and “dripped vitriol” upon the films, considering them beneath him. This became the case with many of the films and shows in which he appeared. He was quick to find fault with his own work, and that of others. Despite this, he spoke fondly of the Carry Ons in interviews. Peter Rogers, producer of the series, recollected, “Kenneth was worth taking care of because, while he cost very little – £5,000 a film, he made a great deal of money for the franchise.”

Radio and television shows

Williams was a regular on the BBC radio panel game Just a Minute from its second season in 1968 until his death. On this he once talked for almost a minute about a supposed Austrian psychiatrist called Heinrich Swartzberg, correctly guessing that the show’s creator, Ian Messiter, had just made the name up.

On television he was a frequent contributor to the 1973–74 revival of What’s My Line?, hosted the weekly entertainment show International Cabaret and was a regular reader on the children’s storytelling series Jackanory on BBC1, hosting 69 episodes. He appeared on Michael Parkinson’s chat show on eight occasions, regaling audiences with anecdotes from his career. Williams was a stand-in host on the Wogan talk show in 1986. He voiced the cartoon series Willo the Wisp (1981).

Personal life and death

On 14 October 1962, Charlie Williams was taken to hospital after drinking carbon tetrachloride that had been stored in a cough-mixture bottle. Kenneth refused to visit him. The next day Charlie died while Kenneth was out to lunch and the cinema; an hour after being given the news, Kenneth went on stage in the West End. The coroner’s court recorded a verdict of accidental death due to corrosive poisoning by carbon tetrachloride.

Several years later Williams turned down work with Orson Welles in America because he disliked the country. Many years after his death, The Mail on Sunday, quoting Wes Butters, co-writer of the book Kenneth Williams Unseen: The Private Notes, Scripts And Photographs, claimed Williams had been denied a visa because Scotland Yard considered him a suspect in his father’s death.

Williams insisted that he was celibate and his diaries substantiate his claims—at least from his early 40s onwards. He lived alone all his adult life and had few close companions apart from his mother, and no significant romantic relationships. His diaries contain references to unconsummated or barely consummated homosexual dalliances, which he describes as “traditional matters” or “tradiola”. (Since male homosexual activity was a criminal offence in the UK before 1967, outright admission would have been held against him if anyone had read the diaries.) He befriended gay playwright Joe Orton, who wrote the role of Inspector Truscott in Loot (1966) for him, and had holidays with Orton and his lover, Kenneth Halliwell, in Morocco. Other friends included Stanley Baxter, Gordon Jackson and his wife Rona Anderson, Sheila Hancock, and Maggie Smith and her playwright husband, Beverley Cross.

Williams lived in a succession of small rented flats in central London from the mid-1950s. After his father died, his mother Louisa lived near him, then in the flat next to his. His last home was a flat on Osnaburgh Street, now demolished. Williams was fond of fellow Carry On regulars Barbara Windsor, Kenneth Connor, Hattie Jacques and Joan Sims.

Williams rarely revealed details of his private life, though he spoke openly to Owen Spencer-Thomas about his loneliness, despondency, and sense of underachievement in two half-hour documentary programmes entitled Carry On Kenneth on BBC Radio London. In later years his health declined, along with that of his elderly mother, and his depression deepened.

He died on 15 April 1988 in his flat; his last words (recorded in his diary) were “Oh, what’s the bloody point?” – the cause of death was an overdose of barbiturates. An inquest recorded an open verdict, as it was not possible to establish whether his death was a suicide or an accident. His diaries reveal he had often had suicidal thoughts and as far back as his earliest diaries he noted there were times when he could see no point in existence. His authorised biography argues that Williams did not take his own life but died of an accidental overdose. The actor had doubled his dosage of antacid without discussing this with his doctor; this, combined with the aforementioned mixture of medication, is the widely accepted cause of death. He had a stock of painkilling tablets and it is argued that he would have taken more of them if he had been intending suicide. He was cremated at East Finchley Cemetery and his ashes were scattered in the memorial gardens.